The 10 Biggest K‑POP Stories of 2025
✨ 2025 YEAR-END REPORT
K-POP
REWIND
10 Hot Issues That Set 2025 on Fire
Artist
ROSÉ (BLACKPINK) Global #1
History Maker
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APT. (with Bruno Mars) → #1 on Billboard Global 200 Year-End Chart.
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First K-POP artist nominated for a Grammy ‘Big Four’ category.
INSIGHT
2025 was the year ROSÉ broke boundaries and redefined what it means to be a K‑POP artist on the global stage. Her collaboration with Bruno Mars, APT., didn’t just climb the charts it conquered them, finishing at #1 on the Billboard Global 200 Year-End Chart. This achievement was monumental, not only because it marked the first time a K‑POP solo artist reached such heights, but also because it symbolized the genre’s seamless integration into mainstream pop culture worldwide.
Beyond the numbers, ROSÉ’s artistry was recognized at the highest level when she became the first K‑POP artist ever nominated in a Grammy ‘Big Four’ category. This nomination carried cultural weight, signaling that K‑POP had moved beyond niche fandoms into the very core of the international music industry. Her emotive vocals, refined musicality, and global sensibility positioned her not just as a member of BLACKPINK, but as a true pop icon in her own right.
Album
Stray Kids’ Album Power
Physical Album Giants
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‘KARMA’ & ‘HOP’ both entered the Billboard 200 Year-End Chart.
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Ranked #2 in global album sales this year, proving massive fandom power.
INSIGHT
Stray Kids proved their dominance in physical album sales with KARMA and HOP, both entering the Billboard 200 Year-End Chart. They ranked #2 in global album sales, showcasing the unmatched strength of their fandom and the enduring appeal of physical records in the digital era. Fans worldwide turned each release into a cultural event, with viral challenges and explosive performances amplifying their reach.
Beyond sales, Stray Kids demonstrated how physical albums remain central to K‑POP’s identity. Elaborate packaging, collectible photobooks, and exclusive content transformed each album into a ritual for fans. In 2025, they solidified their reputation as physical album giants, setting a new benchmark for K‑POP groups in the global market.
Trend
Netflix Animation OST Syndrome
Demon Hunters & Virtual Idols
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‘K-POP Demon Hunters’ OST reached #13 on Billboard 200.
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Virtual groups HUNTR/X & Saja Boys charted multiple times on Hot 100 & Global 200.
INSIGHT
The K‑POP Demon Hunters OST reached #13 on the Billboard 200, while virtual groups HUNTR/X and Saja Boys charted multiple times on the Hot 100 and Global 200. This phenomenon blurred the line between fiction and reality, proving that K‑POP can thrive in animation and virtual worlds as much as on stage.
It marked a turning point where OSTs became cultural events rather than background music. Virtual idols competed directly with human performers, showing that K‑POP’s influence now extends into storytelling, gaming, and digital fandom culture.
Artist
BTS Solo Impact — Jimin & Jin
BTS Solo Impact Continues
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Jimin’s ‘Who’ ranked #57 on Hot 100 Year-End Chart.
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Jin’s ‘Don’t Say You Love Me’ secured a spot on the Global 200.
INSIGHT
Jimin’s Who ranked #57 on the Billboard Hot 100 Year-End Chart, while Jin’s Don’t Say You Love Me entered the Global 200. These achievements proved that BTS members continue to shine individually, even as the group remains on hiatus.
Their solo projects carried emotional depth and global resonance, reinforcing BTS’s enduring legacy. In 2025, Jimin and Jin showed that the BTS brand is not only collective but also deeply personal, with each member capable of commanding worldwide attention.
Artist
Jennie’s Solo Storm
Global Icon Status
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‘like JENNIE’ and ‘Mantra’ entered Global 200.
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Collaboration with The Weeknd, ‘One Of The Girls’, saw massive long-run success.
INSIGHT
Jennie dominated with hits like like JENNIE and Mantra, both entering the Global 200. Her collaboration with The Weeknd, One Of The Girls, enjoyed long-run success, bridging K‑POP with Western pop seamlessly.
Her solo career reinforced her position as a global pop star. Jennie proved her versatility, balancing BLACKPINK’s group identity with her own artistry, and cemented herself as one of the most influential female soloists in the industry.
Artist
aespa & TWICE
Girl Group Powerhouses
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aespa’s ‘Whiplash’ and TWICE’s ‘Strategy’ both charted on Global 200.
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Consistent touring and viral challenges kept global momentum high.
INSIGHT
aespa’s Whiplash and TWICE’s Strategy both charted on the Global 200, supported by consistent touring and viral challenges. Their ability to maintain momentum across continents highlighted the strength of K‑POP girl groups.
In 2025, aespa and TWICE demonstrated how girl groups can sustain global relevance through innovation, performance, and fandom engagement. Their success reinforced the genre’s diversity and balance between boy group and girl group dominance.
Artist
BLACKPINK Group Activities
The Queens Return
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New track ‘JUMP’ ranked on Global 200.
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Synergy of solo successes (Rosé, Jennie) reinforced the group’s massive influence.
INSIGHT
BLACKPINK’s new track JUMP entered the Global 200, proving that the group remains a powerhouse even as members pursue solo careers. The synergy of ROSÉ and Jennie’s solo achievements amplified the group’s collective influence.
In 2025, BLACKPINK balanced individual artistry with group dominance, maintaining their global impact and reinforcing their position as one of the most influential acts in K‑POP history.
Artist
Rumi & Jinu
The Next Big Duo
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Duet song ‘Free’ simultaneously entered Hot 100 and Global 200.
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Praised for bringing a fresh, lo-fi pop sound to the K-POP scene.
INSIGHT
Rumi & Jinu’s duet Free simultaneously entered the Hot 100 and Global 200, praised for its fresh lo‑fi pop sound. Their debut marked them as rising innovators in the K‑POP scene.
By blending intimacy with modern pop aesthetics, they captured attention from both fans and critics. In 2025, Rumi & Jinu emerged as the duo to watch, signaling the next wave of K‑POP creativity.
Industry
Top Artists Rankings
K-POP on the Charts
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HUNTR/X (#24), ROSÉ (#44), Saja Boys (#57) on Top Artists Year-End Chart.
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Virtual artists competing directly with human idols is the year’s biggest shift.
INSIGHT
Virtual idols competed directly with human performers in 2025. HUNTR/X ranked #24, ROSÉ #44, and Saja Boys #57 on the Billboard Top Artists Year-End Chart.
This shift showed that virtual groups are now part of mainstream competition, reshaping the industry landscape. The coexistence of human and digital idols reflects K‑POP’s adaptability and forward-looking innovation.
Industry
K‑Content Expansion & Crisis
Netflix vs. Cinema
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K-POP & K-Content became a singular global phenomenon via platforms like Netflix.
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Domestic film market crisis: Zero ’10 Million Viewers’ movies this year.
INSIGHT
K‑POP and K‑Content expanded globally through platforms like Netflix, becoming cultural phenomena beyond music. International audiences embraced Korean stories, music, and visuals as part of mainstream entertainment.
At the same time, Korea’s domestic film industry faced a crisis, with no “10 Million Viewers” movies released in 2025. This duality highlighted both the global rise of Korean culture and the challenges at home, setting the stage for reflection in 2026.
✨ CLOSING
2025 was a year of transformation for K‑POP. As we step into 2026, one thing is clear: K‑POP is no longer just a genre — it is a cultural force shaping the future of global music.
Designed by K wave spot.com
